Convention & Distortion: "regions", Jose Carlos Sanchez-Lara

When faced with the task of describing this poetic intention, one notices immediately the distortion to submit these texts to that the reader expects when he delivered what is called poetry. Since the first text-book is one for reflection between poetry and prose But why is decided one by the word 'distortion' instead of 'innovation'? Perhaps the latter word is linked to the optimism of 'development' of 'progress' and if one uses it, is implicitly ascribing the same ideology pervasive that this book helps to fight. What is perhaps an exaggeration, at best one can state that there is an attempt or gesture of combat, the hint of an alternative,-against the powerful current state of affairs, which extends to the edges of other ideologies themselves even more tautological and extreme fundamentalists whose derivations are almost unimaginable to us-after all we are still Western. An alternative babbling necessarily against the State of Things to oppose the inevitable looming terrors future repetition of repetitions and platitudes dressed medium die evident truths and values, which are transformed and disguise and appear to look in from either side of the trench.

beginning and end then it seems appropriate to dismiss or reduce the presence of the divisions and classifications that breathes and poetry writing in the present, in all this, and inserted into the framework of the usual objects of perception, and the text FRAGMENTS OF A OVERCOMING HUMAN tabloid belonging to TB (pp. 52-53) starts "(...) halfway shook his blood who has died, I mean art or decline? and ends with a brief and emphatic statement, "Faithful is exile?, which is and is not an end, as it is preceded by similar ones. The reader should not necessarily assume the latter as final, therefore final. Because the number of claims can be infinite and the poem is assumed to be the momentary appearance or setting the focus of a segment of a frieze, which runs in the poem accompanied by a moment by a voice that at once says of itself, that there present, both, of something beyond, behind and announced by the same distortion, in the course of his temporary development.

expression, description, poetry, prose, essays, chronic and seems to be no gender, but as a reference and context of different texts or their combinatorial themselves-in fact random and fragmentary, taken from the places that define the bottom with apperceptive effort by imposing accepted and agreed frameworks and limits, permits styles and expressions, hierarchies and adjustments that are grounded in the institutional needs on which the fragments are produced somehow erode and corrode the parasite artifacts sadistic reality that our mothers tried --- 71 to 89, roughly: 'spawn of hyper-noisy fashion; Aurika, radios zajonofóbicos (subtalleres the nucleus removed) sputnik blades that remove calluses, etc..: sculpted the-disc, hemorrhoids, cystitis, dandruff, and other bypasses. (Focus on the thought). objective, subjective, one, many the same poem or text presented as intended poem, or series of poems, because ultimately this book is presented as a book of poems to a contest, solid strength of the maintenance and protection of status quo now it seems at times that would temporarily stop short-term and only because of what we expect as readers can be assumed as being the voice of an individual monad, person-although this is only a mask under of what we already know before we can establish these dualities faced prior to the meeting and text simultaneously destroyed in combinatorial succession, and then you can not come and settle in the middle just like that piece of the universe to us because it announces and displays denies these basic categories.

But because of that prior knowledge, assumptions and presuppositions, is that it operates as threatening the fact to accommodate these distorted elements in the linearity of sequences that constitute the text, that does not begin or end in the strict sense implicitly suggests a alternative frieze that extends before and after onset poetry and poetry a two way, the intent of this book is contextualized by moments and there are two dimensions in poetry. Poetry as affirmation of belonging to humankind that shares values ​​and aesthetic development and moving towards a universal 'human condition', establishing, reaffirming and postulating institutions and traditions. And is this another script that seems to go against the first and apparently instead seek the suspension of the above process through its distortion to varying degrees. It is a product of the first and entry into the unavoidable repetition inherent in any language that could only maintain its freshness less abstracting a correlation between the phenomenon and its articulation verbal or written. The other writing destroys and threatens to do so in force today, the state of things or whatever, but also opens the door to the unknown or the other, that is vulgar and mythically 'evil' and then goes to be seen as threatening by the other poetry that affirms and repeats the human whose enunciation, presentation or representation has been worn while in direct proportion to the task of preservation.

A greater preservation of more wear-preserved monument is becoming a museum piece and in the same way that it loses its effect. Thus the mutual need of both instances of poetry is ultimately revealed. Instances of this dialectic in this book arisen from trying to hint Two Poetry as a product of the need to refound the poetic language in some way in the world or universe that represents, or has to do, and so on. - And thus the experience of the poet as a god, small or large, to writing as genesis, perhaps the need for the generation of an ontology, in this case for example, parts 1 and Domestic Domestic II of this collection. The proliferation of alienation within the global society and multiculturalism transhumance hatched in the middle and at the same time urbanization hastily dispersed tribalized hierarchy and universal in their frenzied trading, makes poetry thrives as an instance of expression, meeting with other testimony and personal and collective validation, perhaps to the same extent of the loss of collective policy options in the metropolitan cities. The neo is the trench. The search for alternatives is no stranger to the search for alternatives in poetic expression, experiment that when the phase distortion exceeds revitalizes human expression and their underlying values ​​and becomes renewed.

DEPOSITION pure droppings rebuild / fluency of wear / other projects / admirable mechanisms. / Part and parcel of a plot / Forms to be tied and break / in the forest of cycles and chaos.